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Reviews, Theatre
ConPromise by Mal Williamson, Directed by Mathew Smith
EICH Gallery, Hull
By Michelle Dee Images courtesy and copyright ©2004 of Bob Eells www.plasmator.net thanks Bob.


I shall start with no preamble but immerse you straight away very much the same way that the 30+ audience were.

Last Friday night at the EICH Gallery in Hull I was sat in the front row, watching and listening to the reading of ConPromise by Mal Williamson.

For the first 5 minutes I tried desperately to understand the characters, to fix them to a location or time.
I thought, as I have always thought, to relate to and enjoy a piece of drama, I needed some starting point, a point of reference to grasp the situation, the characters motivation.

I realised after that first uncomfortable 5 minutes that I wasn't going to get nor need that piece of the puzzle.

So how am I to explain what I saw? Well at some point I realised we were on a ship bound for ... well, the captain didn't seem to know .... neither did his 2 companions.

In fact the destination wasn't important. None of the characters seemed in a hurry to get there, wherever there was.
The piece was possibly set in the future. It had an apocalyptic feel to it. I gauged this through talk of the Company and the feeling that normal rules didn't seem to apply to those on board ship.

They were running from something. What, we are never really told. Every time you felt you were about to fit a piece of the puzzle in the right place, the discourse went off on another tangent.
So, if you're still with me, I shall share with you the themes and imagery that came out of this, in my mind, truly inspiring piece of theatre. It explored the questions of motivation.

Why we do anything in our lives. Why do we accept or rebel against authority? Questions like; Who's in command, What makes them so? Why lead? Why follow?

The piece posed more questions than provided answers and I never did find out who hit Liz!

By exploring the nature of human interaction, we move through dark and light, black and white, success or failure. The writer used shades of suggestion and nuance to the nth degree to tell his story.

A story that on account of the sometime archaic language at times felt like you had been dropped smack bang into the middle of a Shakespearian tragi-comedy.

Oh yes, there was wry humour within, clever witticisms and sharp repartee, especially between Harry and Liz, not unlike the thrust and parry between the bard's Beatrice and Benedick.

The verbal swordplay is often tense and dangerous. You never know whose side to take. You constantly try to make a connection to find some common ground; to sympathise with one of the three.

But you like them are, quite literally, all at sea.
The acting throughout was believable and filled with real tension and emotional depth. Congratulations to Mal for creating a strong, female character, in Liz, the no-nonsense, take-charge kind of girl.

So, what do we learn about the writer? Well he certainly knows how to challenge both his actors and his audience. In this case, the cast were only given a day to rehearse under the guidance of RSC director, Mathew Smith who, I am reliably informed, is from Londinium.
So to then give such a polished performance of ConPromise which lasted at least an hour was a feat in itself. I found Mal Williamson's unusual approach both engaging and challenging.

I look forward to seeing further work from this exciting local writer in the future. Anyone who has an interest in people and persona and the philosophy of life will enjoy this piece.

I can see it being staged to great effect at our very own Spring Street Theatre due to the close proximity of the audience to the stage that this theatre lends.

I will leave you with the Captain's sound bite by Terry Cavender which I address to Mal - Go on, explain it to us!

CAST
Ona Kvedaravicius as Liz...........career spy.
Terry Cavender as Tyne............. worker and captain.
Alan Fellowes as Harry................tired academic spy.

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