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Dicky Deegan Uilleann Piper (3/3)
By Michelle Dee
(1/3), (2/3), (3/3).

I'm thinking of the powerful air The Fox's Lament that opens, Celtic Soul Rebels Vol 1 the way the piece attempts to capture the spirit of the hunt, the chase, the capture and so on.

Dicky has included how the different pieces came to his attention and the folklore surrounding the pieces, making reference to existing ballads and poems from Darley, De La Mare and Yeats in the accompanying handbook. The second track on the new collection comprises of six different reels and is a much livelier affair; one is helpless to resist its boundless energy.
It would seem that these tunes have been handed down from generation to generation, piper to piper along with the tales that accompany them.

It would also seem that a certain amount of freedom is afforded the piper allowing them to experiment and play around with arrangements making subtle changes hither and thither to create new and pleasing combinations.
Dicky talks about coming across a particular reel in a bar in Galway, or a pub on Ladbroke Grove or of hearing one somewhere deep in the Australian Territories. He then learns it, perhaps making particular changes, and adding it to part of his repertoire. This strikes me as a good way to spread the music, the stories, the mythmaking and the romanticism.
The tunes, and stories attributed to them, often involve traditional folklore. Magical tales that inspire the soul, suspending belief and rational thought, provide the framework for this music to find its way into another heart. The theme of love too appears repeatedly. Sometimes a desperate helpless love; a deep-seated passion that when declared will result in rejection, as in the hopeful air Casadh an Tsugan (Twisting the Hayrope) The low rumbling of the earthy drone underpins a succession of higher notes however one is not exclusive to the other.

The forms of air, jig and reel, can be combined as in An Buinnean Bui (The Yellow Bittern/The King Of the Pipers)
This number starts of with a sorrowful air about a bittern (a type of wading bird found in reed beds with an unmistakable deep booming call) The bird has apparently succumbed to the wintry conditions and has died of thirst on the frozen lake.
Then from somewhere we are launched into a five part jig as Dicky is joined by John Meskel on the aforementioned Dord Iseal.

This time a tall tale is attributed to one movement in the composition. This time it's the tale of a despondent piper by a river who, for sparing a salmon the fate of ending up as supper, begets a wish from the fish, but cunningly the tale ends with the piper pondering the true nature of art.
Once again the full story is in the accompanying handbook along with the others. My favourite tale has to be the one attributed to the reel The Smokey House a tale from the time of Ireland's trade fairs and the young girl's impudent wordplay.
This collection is released via Diamond Life Records in a hope to reach new audiences and move Uilleann Pipes and Dicky Deegan firmly into the digital market. Paul Cooke MD of DLR returned from London in 1990 and setup IVI Records. It was co-funded by Hull City Council and was run from Middleton Street School Hull.

This was an arts centre housing Remould et al. It had a recording studio and produced two singles and one promo video for general release.
IVI Records worked in conjunction with producers from Cold Storage studios in Brixton. However despite getting airplay and some distribution, IVI Records essentially ran out of money. They couldn't compete with the big Indies and Majors at the time and with no financial backing other than funding the project sadly ended in 1997 with Paul attending Hull School of Art & Design full time to pursue a degree in Fine Art.
Diamond Life Records (DLR) currently has around ten artists signed from every corner of the globe and has released around ten albums and various Maxi singles (Mini E'P's) in the same space of time. 'We are still going strong picking up new artists all the time, as well as pushing music for synch licenses for film and tv commercials etc'.

They are no longer constrained financially or logistically with distribution being dirt cheap.
The only real constraints now are the marketing budgets but even that can be worked around with a little knowledge of viral networks and hard work. So DLR have none of the barriers they faced in 1990 competing with the major record companies. Even radio is not a problem seeing the BBC have lost the grip on airplay and they can and will find ways into broadcasting via new media conduits in the future.
Dicky will still be taking along his box of CDs to shows but a move into the world of downloads is inevitable and will provide the listener with the ability to own and enjoy the magical sound of the Uilleann Pipes.

You can catch Dicky Deegan playing live at Palimpesest 2009 and also at Ecofest and Small World festivals among other dates this year. He is also due to appear with the IHOS Opera Company's production "To Traverse Water" at the Adelaide Arts Festival in 2010.

"Ahh... but what about Dicky playing atop the Sydney Opera House," I hear you ask, "Or was that just another tall story?"
Well, Dicky has performed as Uilleann Pipes soloist for several seasons at the Sydney Opera House. On the occasion in question, he was asked to play at a special event to commemorate 30 years of the iconic building.

Joining forces with the Sydney Philharmonic Orchestra. Dicky Deegan and didgeridoo maestro Mark Atkins provided a spectacular finale to the celebrations.
Just as the last piece died away in the concert hall, Dicky quickly disassembled his pipes and was attached to a harness in order to climb up a gantry to the top of one of the famous sails. Overlooking Sydney Harbour he rebuilt the pipes and proceeded to play accompanied by Mark Atkins atop one of the other sails. Many feet below as concert-goers filed out of the opera house, giant mining trucks circled and wheeled in a colossal mechanized ballet.
Fireworks, lasers and lightning added more drama to this awe-inspiring spectacle as pipes, Aboriginal and Uilleann provided the soundtrack.

Sadly the only picture Dicky has found of the event, is one from the ABC (Australian Broadcasting Company) but it's of his playing partner Mark Atkins, although amusingly the caption says the figure on top of the sail is actually Dicky.

If any of our readers have pictures or footage of what must have been a remarkable show or knows someone who has please get in touch with us and share your memories on here.
Also if anyone who has heard Dicky playing throughout the years or just appreciates his music please also get in touch, by leaving a comment or emailing directly.

Celtic Soul Rebels Vol 1 Now Available on iTunes
www.dickydeegan.blogspot.com
www.myspace.com/diamondliferecords
Link to buy (Celtic Soul Rebels Vol 1)
www.twitter.com/paulcookemusic
Celtic Soul Rebels Vol 1 Promo Vid
Copyright © Michelle Dee 2009
thisisUll.com Featured Writer Michelle Dee
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