The Scarlet Lights Theatre Company (2/4) By Michelle Dee

(1/4), (2/4), (3/4), (4/4).

There's no reason why not, if the proper vehicles are created to promote female talent, if someone is willing to take a risk try something new then why can't an aspiring actress dramatist director etc feel confident in knowing the city is supportive of her work? The Scarlet Lights would like to tell all the students of Hull that they can follow their dreams too, just as they (the company) are doing now. Perseverance, dedication, hard work and support and you can hold on to those aspirations - not abandon them to folly before they've been given chance to flourish.

Caz quotes a Hull Myspace survey and that one girl wrote that Hull was a sh*t hole and that you'd never be educated successfully there. Now that girl is in Australia. Hull had nothing to offer me. All the good people from Hull go away and do stuff, is a mantra all too familiar among Hull students. The Scarlet girls believe strongly that if you did stay you actually could make a difference. Point proved I think. Early on the Scarlet Light Theatre Company (SLTC) were working on a project with a group of men but sadly, the men were unappreciative of the particular way the girls worked and didn't share their vision.

Caz says quite openly that if the group find they need a man for a particular role then they may use one …

They emphasise that they are not an antidote to the Hull Blokes. "We are an entity to ourselves," says Lucy, reclining and sipping her G&T. In a show of support and camaraderie SLTC were in the audience for the Hull Blokes latest show and shared the bill on the Comedy Festival Preview show. A very united response comes to the enquiry as to whether the Scarlet Lights see themselves as feminist.

Scarlet Lights would like to know, if it was an all male group would the gender politics question have arisen? They go on to say that the work (they see their creative process and results very much as work) is an attempt to explore female issues sometimes, though not exclusively through comedy, to create a better understanding of themselves and of the issues facing women today.

This idea of understanding is very apparent in the live performance. The actors employ the Berkoffian approach in their work being that it can be very physical and use little or no props. The onstage reaction and interaction in recognisable everyday frameworks, helps to convey the importance of understanding who we all are.

Continued .... Next Page (3/4)

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