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Friday 29th August ThisisUll Live Featuring The Last People On Earth, The Bad Apples and Matt Thompson (2/2)
by Michelle Dee
Bad Apples Photos by Dean Wilkinson, others by Michelle and Cilla
(1/2), (2/2).
Photography Gallery
Matt Thompson Gallery by Michelle and Cilla,   Bad Apples Gallery 1 by Dean Wilkinson,   Gallery 2,   Gallery 3,   Bad Apples Gallery 1 by Michelle and Cilla,   The Last People On Earth Gallery 1 by Michelle and Cilla.

For the last band of the evening and the last in this series of live music nights I chose The Last People on Earth. For some time I'd always been a little lost with the duo synth bass led stuff of the previous releases.

That's not to say I didn't enjoy past hits like Spacesuit, Robots and Summertime I just never knew where to place them if I had to categorise the sound I'd find myself pre-occupied looking for a reference point to work from instead of just listening to the songs.

Since the release of Electric Angels on Teahouse Records I am quite happy in placing them gloriously in the progressive rock era.
I received a preview copy of Electric Angels and listened to it on repeat for the first few weeks, telling everybody I met how incredibly good it was.

I saw the memorable LPOE show down at the Sesh which contributed to their selection for this years Reading and Leeds Festivals. ( blog.myspace.com/index.cfm )

The audacious creation opens with apocalyptic Jeff Wayne style tenor.
A disembodied voice describes a cold digital world bereft of feelings, an inescapable bleak landscape where technology has sanctity over all. After the sonorous choral section we regress through time to the sound of a saxophone akin to the Dick Parry solo from Pink Floyd to a remembrance of a bygone era.

Electric Angels is a concept album, thirty nine minutes in length, set in a futuristic world. All though the story is clearly set in the future the songs deal with eternal themes; the loss of humanity and connectivity with the world and each other, the first flourishes of love, the hopeless longing, I was struck by the way the narrative could work equally well set in the past, present or future.
The vocoder on John's Cars suggests a psychedelic Ringo where as the wailing pianos, flute and ensemble choral sections have more of an early Genesis feel to them.

With each listen you unearth new moments like jewels that attract and beguile more than the last, such as the story of the policeman and the missing daughter, the big vocal numbers like Light in her Hair the repeated musical motifs that you welcome again and again in All things come to an End.

The album is filled with beauty, power and more than a little humour with the occasional retro Casio keyboard sounds, yet remains unmistakably LPOE.
There's a sense of mysticism in the closing heavenly choral refrain, suggesting a desire or perhaps an inevitable return of spirituality, the cyclical nature of all things in a universe that is huge.

The possibility of rebirth is echoed in returning to the stars and ultimately Electric Angels leaves you with a sense of hope.

www.myspace.com/theholyorders
www.myspace.com/thebadapplescowpunkabilly
www.myspace.com/thelastpeopleonearth
www.myspace.com/thisisull
Photography Gallery
Matt Thompson Gallery by Michelle and Cilla,   Bad Apples Gallery 1 by Dean Wilkinson,   Gallery 2,   Gallery 3,   Bad Apples Gallery 1 by Michelle and Cilla,   The Last People On Earth Gallery 1 by Michelle and Cilla.

Photographs Copyright © 2008  Dean Wilkinson, Michelle and Cilla
thisisUll.com Featured Writer Michelle Dee
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