Sunday 17th September Aberfeldy Catherine Feeny and The Rocky Nest New Adelphi Club (2/2) By Michelle Dee

(1/2), (2/2).

Aberfeldy raised the temperature another ten degrees and launched into a set of startlingly good folk/pop songs with an occasional dynamic electro twist. The numbers came thick and fast like the folksy Love is an arrow and 1970's. Very much as the earlier band had done Aberfeldy switch places throughout the thoroughly appreciated set. From keys to pizzicato violin, then twin keys from both Ruth and Sarah, bassist Ken even gets in on the keyboard action.

All the while Murray keeps everyone together with strong drumming and the occasional percussive instrument. I commented to my good friend Mark that he had a way to keep the beats true, the crowd engaged, without having to beat seven shades out of the kit. This I liked. Some songs make you sway, some make you sing, others urge you to get up and dance and if I only I had tonight. Next time you won't need to ask twice Riley.

Another good thing about seeing Aberfeldy in this intimate setting down De Grey Street is that you can really appreciate the craftsmanship in the lyrics. We're all waiting for our millionaire in different ways Aberfeldy put this girlish desire in to perspective taking the shine of all the glitz and leaving you with the purest truth.

The poetic lyrics, the clever rhymes; this I also like. By time we get to recent single Hypnotised I am completely taken by the Edinburgh based band. The pride in their origin shines through the songs none more so than when the band play a tribute to a sadly deceased Scots broadcaster.

Having sadly missed most of the Eighties I have a penchant for the synthesizer and the plethora of sounds it can create. On the song Summer's Gone Aberfeldy take basic monochrome tones like might be found on a Spectrum 128K to tease and tantalise, add a sunny reggae feel, a smooth violin, and a crisp glock refrain repeated by Sarah and Ruth that catches both eye and ear. They then build upon this, for later numbers, creating swimming swathes of synths that could comfortably hold their own at any Rubix Disco.

This I like too. Now we get to, where I wanted to be up dancing as, the title track from the album Whatever turns you on, rang out. Not to mention the soulful seventies funky vocals, dance floor rhythms and finger clicking beats of Uptight.

Aberfeldy went off stage to stand up ovations, then as the applause gathered momentum they returned for an encore. After the gig I was lucky enough to talk briefly with the entire band and even persuaded them to pose for a special group photo kindly taken by Lou from The Rocky Nest. Thank you. I managed to get my hands on a copy of a live recording of their New York show in March this year at the very hip fashionista hotspot Pianos.

I also asked the very lovely Catherine Feeny signed a copy of her album Hurricane Glass not only for me, but for an absent friend. www.myspace.com/therockynest www.catherinefeeny.com www.aberfeldys.com

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