Sunday 17th September Aberfeldy Catherine Feeny and The Rocky Nest New Adelphi Club (1/2) By Michelle Dee

(1/2), (2/2).

What a delightful night of live music; once again I found myself down at the Adelphi Club in Hull. A night with a strong billing that attracted a fine knowledgeable crowd. Aberfeldy the Scottish folk/electro five piece on their third visit to Hull not counting the two nights supporting The Beautiful South at the City Hall in July 1830577365_michellebeautifulsouth25may06a.html

I arrived just after eight and most of the seats had already gone. Lucky I found a table with two places and sat down in anticipation of Hull's favourite multi instrumentalists The Rocky Nest. This band have been quietly working away, playing noteworthy gigs including a raucous night at the Sesh and building up a strong local following.

The Rock Nest start of the night in typical improvised way and bring us a menagerie of songs that feature standard recorders, jumbo recorders, don't know whether that's the right term but there it is. What else? The odd accordion, a guitar, a bass, some keys and some humour, a rather splendid trumpet; lending a jazz element to their rusticity, and a rather nice cello, all manage to find their way into the songs. This time, I have to say, that the cello could clearly be heard tonight and added a deeper more luxuriant element to the jaunty sounds. With songs that cheer the heart and gladden the soul The Rocky Nest gave the night a bright breezy start and laid the foundations for some of what was to come.

Next the accomplished L.A. folk singer Catherine Feeny took the hallowed Adelphi stage a fact that was not lost on the American songstress. Halfway through her first song she had managed to capture the audience and silence rang out alongside her fragile solo guitar and engaging vocal. I wondered each time whether she was smiling because she knew that she had taken the audience away from all those busy conversations, so completely, to listen to her breathy Celtic tones.

Usually Catherine plays with a band thus adding different elements to the songs. Tonight she stood firm but alone putting down rogue hecklers with élan. I'll pick just two numbers from her set, but believe me there were many moments worthy of a mention.

The first being the title track of her album Hurricane Glass available on Tallgrass Recordings. This song caught my ear as I sat, head resting on hand, completely enthralled. A song that had me hooked from the first line to the last. A touch more country, a bit more Nashville than the previous folk ballads; I was foot tapping and ears pricked to hear the well formed lyrics. The second was the cover version at the end of her set. As Catherine announced the song, I could feel the love she had for the Bruce Springsteen number I'm On Fire.

She sang her last with underplayed intensity, minimalist finger picking style and passionate voice.

Aberfeldy had just been at our BBC Building in the town doing a live interview for the Raw Talent show so on their return an air of excitement grew in the by now sweltering club, as the band took the stage. The band were dressed rather differently from when I had seen them at the City Hall. Lead singer Riley was dressed casual in jeans and top, keyboard player Ruth in a very striking ensemble of white short skirt and pink knee highs.

Sarah I noticed was clad in lush silver boots and Ian Aberfeldy's percussionist looking cool in dark shades and shirt.

Continued..... Next Page (2/2)

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