Thursday 1st June 06 - The Johnsons, Unless, The Everydays and special guests from Japan The Warm at The Adelphi (1/4) By Michelle Dee Photographs by Mo

(1/4), (2/4), (3/4), (4/4).

Photograph Gallery   The Warm Gallery,   The Everydays Gallery,   Unless Gallery 1,   Gallery 2,   The Johnsons Gallery 1,   Gallery 2,   Gallery 3,

Thursday night saw four different live music acts playing the De Grey Street venue. The night was organised by Matt from The Johnsons and new management team Silver Star Media fronted by Gareth Jones. Their night was once again up against some fairly stiff competition in the form of The Paddingtons who were playing Staks Café Bar fifty yards away on Beverley Road.

After a delayed start overseas visitors The Warm took to the stage. Once in a while at the Adelphi you see something that is so far removed from the usual fare that the local gig circuit has to offer. This was one of those occasions. The Warm is a three-piece outfit consisting of Ricki on vocals and synthesizer, Hannah on keyboards and a drummer whose name I sadly never caught. They play an exciting brand of outlandish, effect-laden electronica with punk vocals and fierce drum sounds. At first I felt at odds with them; I watched and thought this isn't really in keeping with the rest of the line up. Then one or two numbers in I began to warm to the trio.

The vocal style was menacing, accusative and angry. The only comparison I could think of was the growling off hand delivery of Mark E. Smith from The Fall.

The front two combined the animalistic sounds with even stranger dance movements. Ricki lunged at the mic whilst on tip toes then backed away momentarily only to lunge forward to spit out more aggressive lyrics. Sadly the lyrics were all in Japanese so I was unable to ascertain the meanings behind the outbursts. As the set progressed other genres seemed to be included. The sustained Hey sounds and spacey keys with bold drumbeats reminded me of the epic prog rock of the seventies. For one number they produced something that sounded like a Violent Femmes metal hip hop hybrid with a bank of early eighties sound effects.

Unholy organs rang out from Hannah's substantial keyboard and I watched entranced as she performed yet more, strange doll like dancing. It was, as if her movements, were being controlled by unseen hands. Then without warning the strings would be cut and her legs would fall lifeless beneath her.

Each of the different numbers brought in new ideas both vocally and musically. The intense lines of Japanese erupted from Ricki like a cleric in the Imperial court casting out malevolent spirits from a tortured soul. The finale took on a different form with Ricki using the deceptive allure of the spoken word to impart his sutras. More of the Eastern, Industrial, distorted key sounds mixed with the western rhythms building to a climactic finish. What the kinnokoto musicians and taiko players of ancient Japan would have made of their music, I'm sure I don't know; but for me it was another halcyon memory to lay down with many others at the Adelphi.

Continued..... Next Page (2/4)

Photographs courtsey and Copyright ©  Mo 2006

Photograph Gallery   The Warm Gallery,   The Everydays Gallery,   Unless Gallery 1,   Gallery 2,   The Johnsons Gallery 1,   Gallery 2,   Gallery 3,

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